Moxy Hotel
Venetian plaster through the public rooms with hand-painted murals in the stair. The largest single scope we have carried, phased around an operating hotel so no floor lost more than a week.
Restaurants, hotels and private residences across New York. Most of this work was drawn by an architect, bid by a general contractor and finished by our own crew — the names below are the rooms, not the renderings.
Venetian plaster through the public rooms with hand-painted murals in the stair. The largest single scope we have carried, phased around an operating hotel so no floor lost more than a week.
The largest single job we have taken: hand-painted faux marble crown molding, veining drawn by hand, coat over coat, until the plaster reads as quarried stone. Lit low and red, the room feels older than the building it sits in.
Gold leaf laid in a diamond field over troweled plaster, set out to turn the corners without breaking pattern — deliberately imperfect, so it catches the wall lights the way old gilding does.
Polished plaster carried wall to wall in a single warm tone, burnished until the surface holds a faint sheen — quiet enough to live with, deep enough to change with the light.
Hand-troweled lime over ceiling and beams, kept soft and slightly uneven so the light moves across it through the day and settles warm against the reclaimed wood.
A polished plaster coffered ceiling burnished to a warm limestone glow — the one bright plane in a room of dark wood and green velvet, doing all the lifting.
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